She was cursed with a fairness that strangled her. Expectations woven into her dark hair, an openness and roundness to her eyes that filled her with horror. They were too pale, too pure, too winsome to protect her. Terrors poured in while tears poured out. Hate and bile ran through her veins, but when her white skin tore prettily, nothing oozed out but healthy scarlet.
What is your name? they asked. Townspeople. Sweet old women. Starry-eyed men, lads whose bones were made of milk and oatmeal.
Pestilence. Famine. Hatred. Murder, she answered, but the words changed inside of her mouth, left her soft, dewy lips like starlight.
“My name is Orva. It means ‘golden one’,” she said aloud, and blushed demurely.
She grew up with a boy name Jorge. His last name meant “meadow”, and he was just like a meadow himself, with soft and gentle hands. He caught animals in his traps, whispering sweetly in their ears as he twisted their necks or slit their throats. He skinned them, his beautiful hands slick and red, and this is how he helped feed their village.
“This is for you,” he told her once, as tender and new teens, and handed her a stole of rabbit fur. He wrapped it carefully around her shoulders.
“Thank you,” she said, and smiled charmingly, then tried to slash her wrists on the knife at his belt. Her eyes merely flicked toward it, instead.
“I’m sorry that I have to use such a thing,” Jorge said. “I hope it doesn’t disgust you.”
She looked him in the eyes and took his hand. For the first and last time in her life, her lips said exactly what was in her heart.
“Jorge, some things need to be. And you’re so tender with them while you do it. I’ve never seen such kindness.”
She saw the light in his eyes, and knew what it meant. Over the years, she never saw it go out.
Orva tried to shriek for help, to scream in rage, but her voice was so dulcet. So small. It tinkled like bells. Charming. Merry. She ran to the elder in town. Told him what she thought of him, of the oppressive ideals and the spin-and-twirl roll that she played. She told him that his mother was a hag and he himself a goat, and she wished he was dead. That they’d die. That the entire village would burn and be pillaged and everybody, including herself, raped and murdered and scattered about in pieces.
The words escaped her cupid bow lips and turned to honey. She heard herself laughing with pure joy. Praising his robe. Musing about the darling shape of the clouds. He patted her cheek and told her to go gather wildflowers in her skirt. To plait them in her hair, like the good girl her Mama had always wished for.
“Wishes sometimes come true,” the elder said knowingly, and something passed across his eyes like clouds. Stardust and magic.
Orva obediently skipped off, and cried the entire way.
Her tears were pearls, and made the town rich. They were sewn into bridal veils and fine dresses that she refused to wear, except that her sweet mouth could make no such refusal.
So fine. So good, the townspeople said as they dressed her. Isn’t she the most magnificent thing? Thoughtful and cheerful and full of beauty.
The flowers made an exquisite crown for an exquisite beauty. She tried to pierce her eyes with the thorns so she wouldn’t see how people looked through her, but she merely fluttered her lashes instead. She took her tender wrist to her mouth, touched it with strong, straight teeth, imagining how it would feel to cut through to the vein, to release herself and let people see what she really looked like inside. Perhaps they could love her for her own kind of beautiful. Perhaps she could be enough.
Her teeth didn’t tear into her skin. She kissed her own wrist, over and over and over. She screamed, and the sound of her joyful singing echoed over the valley.
Starlight. Moonshine. She had girlish love in her eyes, color in her cheeks. Jorge was no longer a boy. He stole soft kisses from her, breathless, far too in love, dangerous. No, Jorge, she said. I don’t want this. You don’t even know who I am. Take that knife on your belt and use it. Place it to my throat. Let me go.
He reached for something at his waist, and her heart filled. Shone. He raised his hands, ran them over her shoulders. Upward. She closed her eyes, white teeth biting at her lips.
I have something for you, he said. Slim fingers on her pale neck. Something cold.
She hoped the pain would be swift. She prayed it would be sure.
A necklace. Made of precious stones and metal and time and desire. He fastened it around her neck, nervously. Tears ran down her cheeks, wetting his fingers.
I’ll take care of you, he said. Love you always. I’ll feed you on milk and pray to always see the moon shine in your eyes. Will you have me? Will you love me?
No, no, I don’t know how to love. I’ll poison you with my kisses. Kill our children in my womb with bitterness. It will be despair, and you deserve so much better.
“I love you,” she whispered, and fingered the necklace she wore. Kissed his lips shyly. Buried her face in his shoulder. He held her so close that she couldn’t breathe.
She glowed. Smiled. Inside, she turned her face to the wall and died.
Mercedes M. Yardley wears red lipstick and poisonous flowers in her hair. She is the author of the short story collection Beautiful Sorrows and the novella Apocalyptic Montessa and Nuclear Lulu: A Tale of Atomic Love. You can visit her blog at www.abrokenlaptop.com.
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