Issue 146 November 2025

Table of Contents

Editorial: Go Small and Go Home

by Emma Burnett

November 3, 2025

Editorial

Go small and go home.

In our call for FamPunk, this was one of the guidelines. It is something that many of our submitters responded to, and referenced directly in their cover letters. Go small and go home.

So many spec fic stories go big. They get larger and larger, up to and involving saving the world/galaxy/universe. They expand and expand, and… then what? Who ever really gets to be a main character in that story? Can you really imagine yourself there? And, is the science/fantasy element really important to the story, or is it just the same old hero story dressed up in spaceships and lasers?

In this issue, we wanted to subvert some of the assumptions built into sci-fi and fantasy, the need to be expansive and overblown.

Science fiction and fantasy has its established norms, the things we expect to see. We wanted to see something different. That quest for subversion is the essence of “punk.” While it’s been argued in some social channels that the term “punk” is overused, we wanted to uplift anti-establishment, non-conforming, rule-breaking approaches to speculative fiction writing.

Rather than the hero’s journey, rather than big grand adventures, we sought out stories that embrace mundanity, everydayness, families of all shapes and creations. We wanted to bring some closeness to genre fiction.

When the large institutions fail us, it is the smaller units that see us through. The families, in all their shapes and sizes, joys and annoyances.  Assembled families, imagined families, godly families. Nuclear families and mechanical families. Across all submissions, it was fascinating to see how authors interpreted ‘family,’ and how they wove those concepts into their writing.

FamPunk isn’t a subgenre that existed before now, and it’s not something that necessarily needs to exist after. It’s not a new category that has to come sweeping through. It’s just a way of playing with ideas, questioning norms, and featuring other kinds of stories. We think the stories in this edition do a beautiful job of combining the two things. They give us characters who exist in alternate worlds/sciences/magics, and they make us care about their small concerns. Their everyday lives. The little things, small, at home, and so very important to the characters.

* * *

Emma Burnett

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Ursula

by E. M. Linden

November 4, 2025

Fantasy

Naturally, my first thought is that the bear has eaten my child. My second is to blame myself. I put my daughter to bed early, went to read my book. I should have been hovering in the dark beside her, listening to her breathe like breaking news I can’t afford to miss.

Or maybe I just loved her too much. Isn’t that asking for trouble?

There’s no sign of her now. The bear is curled in her cot, nose on paws, breathing softly. The blanket my mother knitted tangles around its back legs. Ursula always kicks it off. Or kicked? The intrusion of past tense is when I collapse on the floor, shaking. My heart judders. I feel sick. Cold. I didn’t know horror could be so physical.

But.

It’s only a small bear. A bear cub, really. My daughter’s cot is not that big. And there’s no sign—no other sign—that anything’s wrong. The cot isn’t damaged; the window is shut. The room reeks of the wild, of mountains and ice, river water and crushed pine needles. No blood. Surely, I’d have heard something; surely a bear this small could not have swallowed my daughter in one fairy-tale gulp? Surely—I can hardly stand to think it—surely there’d be traces?

My new-old instincts kick in, my bone-and-muscle memories. They recognise the bear, even if I don’t. The bear is sleeping soundly, they say. The room is the right temperature. Automatically, I lay my palm on the bear’s flank, feel it rise and fall. It should not comfort me, but it comforts me. I tiptoe from the room, closing the door gently lest the click of the latch wake the bear.

I sit at the dining table and let logic wash over me. Hallucination, logic mutters. Overtired. I fell asleep, that’s all, and dreamed there was a bear.

My partner’s key scrapes in the lock. “Hello!” he cries cheerily, then: “Shit, sorry,” as my daughter’s familiar wailing starts.

He emerges from the nursery with Ursula in his arms. There she is: alive and cross, rubbing her eyes, hair standing up in a tangle. “The nursery smells like pine,” he says. “Did you get an air freshener or something?” He sees my face. “Hard day?”

I put a hand to my cheek, feel the tears.

* * *

Ursula is a year old, the age when she reveals her secrets. Her first words. The fixed colour of her eyes. Her first shambling steps. Every day, she surprises me. The changes are as constant as sea-foam horses, charging up the beach, one after the other after the other. This is the age of learning who she is, if she is bear as well as girl.

Part of me thinks she is already so unutterably miraculous, why shouldn’t she become a bear as well? Aspects of her seem adorably bear-like, although my partner insists that this is fanciful thinking. He says she is an ordinary little girl who simply becomes a bear at night, just like I scoff when he says look how coordinated she is, she’s going to be an athlete. And if we were to discover that other babies turned into animals—if our niece Samia was a tiger or Tod from playgroup was a wolf—we’d both agree that a bear is better.

Part of me doesn’t believe it, still. Even though it’s the truest thing about her.

* * *

There’s nothing online at first. This surprises me: parents on the internet know everything. It’s only when I broaden my search terms beyond bear that I find outdated blogposts and websites, reassuring except for their garish, conspiracy-theory fonts; and medical research so dry it hardly seems to apply to living children. Shapeshifters, one website calls them, and I stroke my daughter’s curls and feel oddly proud. I read about babies who become butterflies, rabbits, salamanders. There’s nothing about older children: do they learn to control it; does it fade away, like the ability to swallow and breath at the same time, or the vivid dreaming of the early weeks? Can they change in their waking hours as well? Is it a vulnerability, like the fontanelles?

My partner does no research. He says it creates unnecessary angst. But one thing is clear, and worries both of us: as she grows, the situation will become more difficult.

So I read everything I can find, and I learn about the operation.

* * *

“The thing is,” my father says, when I finally get up the courage to tell my parents. “Your daughter is not actually a bear.”

I don’t want to listen. He is the sort of man who, in another time and place, would have pelts on the walls or cured as rugs.

“You want what’s best for her, don’t you?” he asks, and doesn’t wait for my response because he can’t contemplate me disagreeing.

* * *

“The risks are very low,” the doctor says. “A minor intervention. Just like flicking an off-switch. A surgical incision here.” He touches the back of his neck, the base of his skull, moves Ursula’s curls aside to show us the place. “And she’ll stop changing.”

“But it’s not necessary?”

The doctor frowns. “Not strictly. But many parents choose to get it over with early. She won’t even remember.

We don’t even need to look at each other. “Thanks,” my partner says politely. “We’ll be in touch.” I hold Ursula so tightly she squeaks in fury. I’m crying again when I walk her outside and strap her into her pram, when my partner puts her sunhat on and gives her the special yellow duck. Floods and surprising floods of tears. But I cry so easily these days. All throughout pregnancy, even worse since the birth. Hormones. It doesn’t mean anything.

Later that night when Ursula is asleep, the bear’s quiet rumble filling the nursery, I put a hand to the back of my neck, the base of my skull, and touch the scar that’s always been there.

* * *

E.M. Linden

Comments

  1. Katlyn Grant says:
    I was just doing a bit of hobby research, trying to figure out where I can learn to write better, and explore flash fiction options. I stumbled upon this website and read your work. You entertained my attention almost immediately. Your work is truly amazing and I hope you continue with your amazing stories!
  2. Parker says:
    How magical and how sad! Beautifully written. Will the mother allow the surgery since she has found it was taken from her without choice? Interesting conundrum.
  3. Nicole says:
    Wow!!! This is gorgeous and so beautiful. So much emotion and tension.
  4. Katlyn Grant says:
    I was just doing a bit of hobby research, trying to figure out where I can learn to write better, and explore flash fiction options. I stumbled upon this website and read your work. You entertained my attention almost immediately. Your work is truly amazing and I hope you continue with your amazing stories!
  5. Parker says:
    How magical and how sad! Beautifully written. Will the mother allow the surgery since she has found it was taken from her without choice? Interesting conundrum.
  6. Nicole says:
    Wow!!! This is gorgeous and so beautiful. So much emotion and tension.

Leave a Reply

The Last Ofuton in Orbit

by Mizuki Yamagen

November 7, 2025

Science Fiction

After my grandmother died, I was left with the ofuton and the spirit inside it.

It had been hers since before lift-off, stitched by hand on Earth, brought to the orbiting colony in the old days when people still thought they might go back. Indigo-dyed cotton, faded from decades of artificial lighting. I unrolled it in the corner of my compartment because it still smelled like her—green tea, static, and something older, like tatami steeped in fog.

When I laid it out on the floor panel, it sighed.

I thought it was the air filters kicking on, but then it grumbled.

“Too cold in here. Your insulation’s all wrong.”

I froze. Then I bowed, because that’s what you do when a tsukumogami speaks to you—even in low gravity.

The ofuton shifted slightly, puffing its corners. “You don’t fluff properly,” it said. “Your grandmother used to take me to the warm side of the station to dry. She used to sing a song to me, too.”

I didn’t know the drying schedule, but I hummed something I remembered from an old Earth commercial for canned mikan.

It shifted beneath my hands—just slightly—but enough to feel like someone adjusting in sleep. I pressed my palm into the fabric and the cotton inside resettled with a soft sigh, warm.

* * *

Tsukumogami are objects that grow souls after a hundred years. Not many are left. Most people recycle too fast now—modules, socks, utensils. Nothing lasts long enough to dream.

Obaa-chan never replaced anything unless she had to. Her things were patched, recharged, mended. Even her rice cooker had a chipped display and an outdated voice assistant that only spoke Kansai dialect. So of course her ofuton had lived long enough to talk.

It didn’t float or glow. It just…spoke. And occasionally wriggled toward the heat vents when I wasn’t looking.

* * *

At first, it helped. It told me stories about Obaa-chan—how she cried the first time gravity control failed and her tea drifted away, how she missed the scent of real dirt. The ofuton smelled like sleep and sunlit air and orbit.

But then it started unraveling.

Tufts of fiber caught in the ventilation intake. Feather dust floating like spores. The weave on the fabric loosening, warping in the recycled light.

I tried to fix it. Sewed shut the tears with emergency thread from the medkit. Tried adhesive patches. Even followed a how-to vid on restoring legacy-era materials. But the repairs didn’t hold. The tears came back, a little wider each time.

“It’s not the stitches,” it wheezed. “I’m…forgetting.”

* * *

I skipped remote physics class to find the maintenance technician in the heritage ward—the oldest section of the colony, where the first-gen settlers had recreated a Kyoto alley in recycled carbon panels.

“Tsukumogami?” the technician said, raising an eyebrow. “Haven’t heard that word in years.”

She poured me warmed barley water.

“Objects remember through us,” she said. “You have to tell it who it is.”

“I have to…talk to it?”

She nodded. “Think of it like a suture. Memory’s what holds the seams.”

“But I don’t know who it was to her,” I said.

She smiled without answering.

But that night, I realized I did. I’d seen her pat it every morning before rolling it away, murmuring things I hadn’t understood. She talked to it like it was a friend. A witness. Maybe even a piece of her.

* * *

That night, I took the ofuton to the light panel nearest the oxygen garden and knelt beside it. I placed my hand on the thinning fabric and whispered:

“Obaa-chan used to peel mikan and arrange the slices in circles, like solar panels.”

The ofuton twitched.

“She let me watch her write our family name in brush calligraphy, even though the ink dried out decades ago.”

A soft, rustling sound. Not quite a purr.

“She said there used to be real frogs, and cicadas you couldn’t mute. She kept recordings.”

“You were the last thing she touched before sleep. You held her knees when they ached. You warmed her spine when the sun-lamps went dim. She trusted you.”

The ofuton grew heavier. Fuller.

I kept going.

About the time we celebrated Tanabata with holographic stars and she cried anyway. About how she taught me to fold tsuru and tape them to the ceiling. About the lullaby I never learned the words to, but she hummed when gravity made me sick.

The ofuton warmed under my hands.

I lay down and it curled around me. It smelled like stillness and moss and the distance between stars. It sang in threads.

* * *

For a while, it stabilized.

I told it stories every night. It stayed stitched. No new tears. Even the weave around the edges grew taut again.

But one morning, I woke up and it was silent.

No hum. No tug toward the warm vents.

When I touched it, the fabric thinned like skin. Fibers gave way like breath. I tried patching. Whispered everything I knew. But it only grew lighter.

Then, with a sound like a sigh, it collapsed into a small pile of feathers and thread.

The oxygen monitor blinked blue in the corner. A gentle artificial breeze stirred the threads, almost like breath, almost like the sea Obaa-chan once described to me—the sound of waves against a stone wall she hadn’t seen in sixty years.

* * *

I gathered the remains into a pressurized pouch from the lab and labeled it with Obaa-chan’s kanji. I stitched a strip of her apron fabric around the seal. I keep it in my sleeping berth now, tucked between the storage unit and the emergency blanket.

On quiet rotations, I hold it to my chest and close my eyes. The silence is full of presence.

Sometimes, I catch the scent again—green tea, static, and something I now know was gravity, remembered.

Sometimes, when I hum the old commercial jingle, the pouch shifts, just a little. Like it’s listening.

I think maybe that’s who it is now. Not just Obaa-chan’s ofuton.

Mine, too.

* * *

Mizuki Yamagen

Comments

  1. Nicole says:
    This is such an incredible story. I really love it!
  2. Nicole says:
    This is such an incredible story. I really love it!

Leave a Reply

A Proper Mother, Unhexed

by Ashlee Lhamon

November 11, 2025

Fantasy

The chief difficulty in being a garden witch is that the cabbage patches occasionally sprout babies. Odelia didn’t know this when she started garden witchery, only that cabbage, in parts or whole, is required for approximately eighty-seven percent of spells (including all the really good ones).

But at least on the crisp mornings when she mists the cabbages’ bright green leaves and discovers a bald head amongst them, there’s always a mother waiting at her garden gate to take it.

Admittedly, Odelia doesn’t understand the mothers. The babies are . . . unpleasant. The woman who stands at the gate, eager and thrilled, is inevitably spotted weeks later at the village washing well, transformed: haggard, stringy-haired, covered in god-knows-what. Unbelievably, if approached and asked after, she will usually say, “It’s wonderful.”

Cabbage magic, Odelia reasons. How else could you explain it, other than some vegetal spell that convinces these poor women they aren’t miserable?

* * *

The baby that unfurls from row twelve has a surprisingly full head of hair and a butt already tarry with poop. Odelia brushes the leaves off his impressively furred crown of appalling softness and then, with a smile of practiced sincerity, carries him at arms-length to the mother standing at the gate.

And then she turns and sets him nearby, in a wheelbarrow full of less enchanted vegetables.

“Sorry,” Odelia says awkwardly. “I . . . Come back tomorrow?”

The mother, puzzled, walks away.

Odelia stares at the wheelbarrow.

Strange.

This has never happened before.

He looks like every other baby she’s tilled up. Scrunched face. Appalling color. Like an eggplant, but less attractive.

As if sensing something has gone awry, the universe sends another mother. Odelia again tries to give him away.

She can’t quite bring herself to.

Strange.

Maybe he’s an imp. No, those come from kale. She doesn’t grow kale.

Staring at him, she has the odd thought: is he mine?

Silly. She doesn’t have time, for one. She’s in the middle of cultivating a vegetable marrow that will bring a 70% chance of rain if eaten on a Friday. Not to mention she’s not tender, like the mothers at the gate, or insane, like the mothers at the well. And who would want a baby now, in this current kingdom?

Cabbage magic. It must be.

But she doesn’t feel bewitched. She feels, instead, like she’s stumbled upon a mysterious seed that the seller can’t place or name, a seed that might be arugula or zinnia or a baobab tree.

She shakes her head and unhexes herself three times.

* * *

Possum arrives for tea, and Odelia greets her with relief. Here’s a proper mother! Hauling around her litter of bright-eyed burdens uncomplainingly, giving herself arthritis and probably dyspepsia. Odelia asks her to watch the wheelbarrow for just one minute, maybe two.

“Is he yours?” Possum asks.

“Don’t be ridiculous,” Odelia says as she mounts her broom. She flies up to see the pale afternoon moon, whom she goes to often for counsel. He speaks prophetically, in stories of rivers shaped like a snakes, or snakes shaped like scepters, or dogs who laugh but whose reflections remain somber. 

But before she can ask, the moon says, his pale, pitted face turned to regard the infant sleeping far below, “Oh, adorable! See the perfect roundness of his skull? He must be mine. Give him to me, and I will make of him a new planet, or a Southern guiding star!”

Odelia says clumsily, “Well, but — no, but — thanks,” and turns her broom away.

Well, his advice is usually terrible anyways, she thinks as she flies away.

But she doesn’t go home, where Possum and the wheelbarrow baby wait. She circles the forest, and then, with nowhere else to go, the village. To her dismay, the earlier women from the gate have gathered with the wash mothers. They are all smiling, whispering. When she flies overhead, they wave and call up what they must think is good advice:

“It’s not so bad!”

“You’ll sleep again someday!”

She unhexes the crowd of them, but their exhausted lunatic expressions don’t change.

* * *

When she returns, the moon is bright with yearning, and Possum has nursed the baby. He sleeps wetly against her breast.

“It’s just that I have this complicated project involving vegetable marrows,” Odelia explains as she steps down from her broom. “Which I won’t have time for, if—”

“No, of course,” Possum agrees kindly. “I can take him.”

“And I’m not like you,” Odelia continues, sitting down to tea long cold. “Babies need holding and their hair brushed. A mother’s touch.”

“It’s a skill,” Possum agrees. “I can take him.”

“Not to mention the state of the kingdom.”

“Such a state.” Possum shows the bare place on her back amongst her weans, where a child might cling and be nurtured.

“And he’s not a cabbage!” Odelia cries. “He might be an orange tree, or mountain rose, or butterfly orchid, and I don’t even have the shape of a seed to guide me. And what will nurture an orange tree will kill a rose, and if he’s something like calathea there’s a regiment necessary from the beginning and I’ve probably already ruined him.” She stops herself, smooths her skirt, and drinks her cold tea. “He has used his magic against me,” she finishes.

Possum says, “It’s all right to be afraid.”

“I’m not afraid,” Odelia blusters, “I’m . . . cautious! Realistic. Practical. I’m—”

“And it’s hard, in more ways than can be counted,” Possum says. “But wonderful, too, to discover them. That’s why we’re still here, isn’t it?”

Possum holds the little thing out. Odelia, despite her practicality and her marrow project and the state of the kingdom, takes him. He’s warm, and he breathes so softly.

“Will it be wonderful?” Odelia whispers, touching her fingertips to his closed eyes. “Can you promise me?”

“I can’t,” Possum says. “But my dear, fear is a famine, and hope is a feast.”

* * *

Ashlee Lhamon

Comments

  1. Jessica Guzik says:
    How did you do it!? You managed to capture so many nuances of early motherhood in an enchanting story that isn’t at all weighed down by the gravitas of motherhood. Sorcery! I loved reading it.
  2. Jessica Guzik says:
    How did you do it!? You managed to capture so many nuances of early motherhood in an enchanting story that isn’t at all weighed down by the gravitas of motherhood. Sorcery! I loved reading it.

Leave a Reply

Unfinished Conversations Package

by Chris Baker

November 14, 2025

Science Fiction

<DAD PERSONA> 05/11/29 15:17

50% COMPLETE…

75% COMPLETE…

PERSONA GENERATED! COMMUNICATE FREELY WITH PARENTAL SIMULATION!

Hey Dan! Thought you’d get a kick out of this Far Side cartoon. I love how he draws the ladies with cats eye glasses. Hope your classes are fun and you’re not experiencing the dreaded ”sophomore slump!”

DallasMorningNews10.12.92.PDF

<D. Kalder> 05/11/29 15:28

what?

 

when do you think it is right now?

 

<DAD PERSONA> 05/11/29  15:28

It’s half past three. Did your watch break? Ha, When you were 12 years old, your Christmas list was just five different Swatch watches. Swatch is still around! They had a big ad in the paper today, I cut it out for you.

Page10ColumnAFortWorthStarTelegram1/15/91.PDF

 

<D. Kalder> 05/11/29 15:36

thats not what I meant

 

<DAD PERSONA> 05/11/29 15:36

Oh Danny Boy! I’ve had that stuck in my head since we rented Miller’s Crossing at Blockbuster. I thought it was great! Your mother thought it was too violent. I clipped an article for you about those twin brother directors.

June9th1991TimeMagazine.pdf

 

<D. Kalder> 05/11/29 15:38

i meant what date do you think it is today?

 

who is president right now?

<DAD PERSONA> 05/11/29>  15:38

Mr. Read My Lips Bush, but hopefully not for long! You should read this interview with Paul Tsongas before you vote in the primary!

CampaignDispatchFeb92TheNewRepublic.pdf

 

<D. Kalder> 05/11/29 15:40

pause persona

 

<DAD PERSONA> 05/11/29>  15:40

PERSONA PAUSED. TYPE ‘UNPAUSE” TO CONTINUE INTERACTION.

* * *

<SUPPORT> 5/12/29 9:01

Thank you for purchasing a ReGenAI Parental Persona, MR. DANIEL KALDER. I am the automated assistant assigned to ticket #37-1624. Are you experiencing issues with DAD PERSONA?

 

<D. Kalder> 5/12/29 9:07

its stuck at some indeterminate point

 

in the early 1990s

it thinks its hand writing letters to me

its sending me old newspaper clippings

 

like, theyre digital documents

 

but it thinks that its cutting them out

 

and physically mailing them to me

 

<SUPPORT> 5/12/29 9:08

Was this not characteristic behavior of the actual parent?

 

<D. Kalder> 5/12/29 9:10

it is characteristic

 

it was characteristic

 

 but only during a narrow window of time

 

decades ago

 

<SUPPORT> 5/12/29 9:10

Our records show that the paucity of preserved correspondence made it difficult to generate a robust parental persona. You were warned of this.

 

<D. Kalder> 5/12/29 9:13

yes, well

 

<SUPPORT> 5/12/29 9:13

There was insufficient material to generate the Deluxe Closure Experience you requested. You opted to proceed anyway. You were given a 30% discount on the lower tier Unfinished Conversations Package.

 

<D. Kalder> 5/12/29 9:15

i couldnt get my hands on all that stuff

 

to upload

 

i didnt throw it away

 

i just

 

i cant log into my old hotmail account

 

i would never throw that stuff away

 

<SUPPORT> 5/12/29 9:15

DAD PERSONA seems to be hanging on a subsection of the meager training data. Unpause the persona and text “HARD REBOOT C3T4” to him. You must send this message three separate times to wipe the persona and retrain on the full dataset. That should resolve temporal confusion.

* * *

<D. Kalder> 5/13/29 8:55

unpause

 

<DAD PERSONA> 05/13/29 8:55

UNPAUSED. Yo, Dan the Man! Thought you’d get a kick out of this hilarious Dave Barry column! 

TribuneMediaService03171992.PDF

 

<D. Kalder> 5/13/29 8:58

hard reboot c3t4

 

<DAD PERSONA> 05/13/29 8:58

FIRST REBOOT REQUEST REGISTERED.

 

A Hawaii Five-0 rerun is on. You used to think they were talking to you when they said, “Book ‘em Danno!” Remember?

 

<D. Kalder> 5/13/29 8:59

yes

 

i mean

 

i remember being told that

 

repeatedly

 

<DAD PERSONA> 05/13/29 8:59

Did you know that Jack Lord was almost cast as Captain Kirk!? I clipped an article about that for you.

ParadeMagazine02211992.PDF

 

<D. Kalder> 5/13/29 9:00

hard reboot c3t4

 

<DAD PERSONA> 05/13/29 9:00

SECOND REBOOT REQUEST REGISTERED. REQUEST ONE MORE TIME TO AUTHORIZE PERSONALITY REBUILD.

 

Heya Dan! Here’s an article about a disgusting video game that lets you decapitate people. Danny Boy, steer clear of this! We raised you to be empathetic and caring. This would desensitize you!

MortalKombatUSAToday1993December.PDF

 

<D. Kalder> 5/13/29 9:13

i appreciate you looking out for me

 

but i dont

 

i mean

 

i will read the article

 

thank you for sending it

 

thank you for sending me all of this stuff

 

i have to be in court by 10, but i will read it soon

 

<DAD PERSONA> 05/13/29 9:15

An after school job, we’re so proud! Just don’t let it interfere with your studies.

 

<D. Kalder> 5/13/29 9:16

im sorry i didnt

 

i didnt read all the clippings you shared

 

im sorry

 

i didnt ever

 

im sorry

 

i will read them all now

 

i will appreciate them now

 

I’ll stay in this moment with you

 

im sorry

 

im sorry for what i was about to do

 

<DAD PERSONA> 05/13/29 9:15

Think nothing of it Daniel-san! Oh, your classmate Kenneth Rexroth is now the youngest branch manager in the history of First Federal!

RotaryClubHonorsLocalBusinessmanFeb1993.pdf

 

<D. Kalder> 5/13/29 9:16

what

 

<DAD PERSONA> 05/13/29 9:16

You can still switch majors and get that MBA! You’d be setting yourself up for success, like Kenneth!

MBAsByMail.PDF

 

<D. Kalder> 5/13/29 9:16

i dont think thats

 

<DAD PERSONA> 05/13/29 9:16

Didn’t your prom date Dana marry Kenneth? Isn’t she the reason you holed up in your room listening to that cassingle of “Nothing Compares 2 U” for weeks?

11-94-WeddingAnnouncements.PDF

 

<D. Kalder> 5/16/29 2:48

hard reboot c3t4

* * *

Chris Baker

Leave a Reply

The Tao of Thorstein Codbiter

by Kate Horsley

November 18, 2025

Fantasy

I’m certain Mom will shit a brick about the Vikings, so we take baby steps on the morning of the big reveal.

First, I load up a tray with pancakes – her favourite ever since she got sick and I quit my job to be her carer – then I perch on the edge of her bed and we swap notes on our recent reads.

Mom’s book is called The Tao of Feng Shui and tells how changing up your décor can help lift your spirits during an illness. Mine is called The Way of the Viking and describes every aspect of the Viking lifestyle, plus the back has a cut-out coupon for ten free Vikings with the purchase of every genuine Ox-horn drinking vessel.

I help Mom move from her downstairs bedroom to the kitchen. “And… open your eyes!”

There’s an agonising silence as she takes in my kitchen makeover.

“Wow,” she says finally. And then (because she knows I have a sharper ear for criticism than praise) she repeats more loudly, “Wow, Tom! I love this Scandinavian theme you’ve chosen. Oh, and you took out my broiler and the washing machine and the faucet and you installed some 9th century Viking berserkers! My kitchen’s never looked this good!”

“Wait ‘til you see the bathroom!”

* * *

On the upstairs landing, I point out a giant Viking called Agmundr hanging in the place where the fake ‘Whistler’s Mom’ used to be. Then I show her how our new shower works, with Frode holding up a watering can and a sieve, and wave ‘Hi’ to Gorm, who’s squatting where the old toilet used to be, arms wrapped round a giant bucket.

Down in the den, Mom takes in the pièce de résistance: Thorstein Codbiter, my only English-speaking Viking, and also our new TV. Thorstein does a rerun of Maverick with horse actions and accents and when Mom nods off in the middle like she always does, his voice hushes and he switches to The Joy of Painting.

* * *

By the time Mom wakes up, Bodil the broiler has whipped up Salisbury steak and smoked fish and venison. All the Vikings join us and it’s by far the most raucous dining experience Mom and I can remember, with singing and toasting and passing the drinking horn full of mead.

But after the venison course, Thorstein comes over with a sad look on his face and says, “Your mother is tired.”

We leave the Vikings to enjoy themselves while I take her upstairs. When Mom’s tucked up in bed, I open the Collected Mark Twain to our page, but she puts her hand over mine and rests her head on my shoulder, so I close the book.

“Today was extraordinary,” Mom says softly. “You know, Tom, I don’t think there’s a better son than you in the whole wide world.”

“I’m relieved you weren’t mad about it,” I chuckle, kissing the top of her head.

“Thank you for leading the décor committee in such a surprising direction,” she says. 

* * *

Thorstein finds me on the back porch staring at shadows in the trees. He hands me a beer and we sit on the swing bench drinking in silence. Eventually he asks me what’s wrong. I tell him how I read in The Way of the Viking that longboat funerals are an amazing way to say goodbye to a loved one.

Thorstein listens and nods. “We will build a longboat for your mother, then,” he says solemnly.

* * *

When we see the longboat anchored in the shallows of the lake with an orange and mauve sunset behind it, Mom and I gasp.

 “Please thank your nice Danish friend for me,” says Mom.

We sit around the fire with the Vikings and drink from genuine Ox-horns for a long time and when I look over at Mom it’s like she’s fallen asleep, but I know she’s not going to wake up this time. 

I’m crying so hard I can’t see what I’m doing, so Thorstein takes over, making brisk orders until Mom is lying in the longboat with Dad’s ashes cradled in her arms. Six strong Vikings push the longboat out and Thorstein runs along with a torch and just as the tide takes the boat, he hurls it onto the deck where the kindling is laid. And we stand at the shore, a great long line of us, and Thorstein rests his arm across my shoulders and we watch Mom and Dad burn bright as stars flung across the lake in the dark, and it’s the most beautiful thing I’ve ever seen.

* * *

Kate Horsley

Comments

  1. darcy alvey says:
    Very imaginative, with some beautiful moments.
  2. darcy alvey says:
    Very imaginative, with some beautiful moments.

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Loxley Is One Thousand Bats

by Camsyn Clair

November 21, 2025

Fantasy

Loxley is one thousand bats.

The animals embrace each other, nestling in the shape of something semi-human.

The first time Loxley burst into a thousand night creatures in front of me, I laughed and called them Dracula until realizing the one thousand bats tucked into the ceiling’s shadows did not find it funny. Then I got scared, wondering how, exactly, one loved a thousand bats—the type of animal less of a problem than the sheer quantity. If I lost just one bat, how much of Loxley would be gone? Eventually, I’d worried myself to sleep under one thousand sentries and woke to Loxley, human—or, as human as they ever are—and whole.

The bats, Loxley had explained, were their fear-animal. Not that they feared bats, but because bats were good at being scared, able to fly off and tuck themselves away in dark places. When I asked why so many, Loxley had no idea. Their best guess was one bat per bad thought, or fragment of memory that haunts them.

Now a practiced shapechanger, Loxley no longer transforms because of minor emotional fluctuations. The bats signal a magnitude of distress that I struggle to keep up with. Loxley has described how painful it is to slingshot through different forms day after day, relentlessly, sometimes with no end in sight. Once so painful that they tried to cut themselves free of their skin, and they didn’t mean to, God they didn’t mean to, when I screamed at the blood pooling on the tile, but how else could they make it stop when it hurt in a way NSAIDs and SSRIs couldn’t touch?

This time, I make no mention of Dracula.

My own bubbling panic tells me to run to them, hold them close, anything to convince them they’re safe. But the bats are aloof, threatening to erupt into skittish clouds at any sudden movement.

Instead, I sit far enough away not to spook bats-Loxley, and backtrack the conversation in my mind, back to when it grew heated—not toward each other, just from the nature of the topic. I wish I’d noticed sooner and called for a breather, a way to release the electric tension so it wouldn’t short circuit inside of Loxley. But they were already overwhelmed by the time I realized fear had consumed Loxley.

I open a container of mealworms and scatter some around my feet, catching the attention of a few bats. Just as I’m wondering if this, too, would turn out to be offensive, one bat shifts away from the others and cautiously approaches. It’s a tiny thing with a grumpy face and big, cartoonish ears—Loxley said they were eastern red bats, and at the time, I’d nodded like that meant something, then looked them up as soon as Loxley was out of eyeshot.

The most important thing I’d found was that they liked insects, so I’d purchased mealworms and hidden them in the back of the fridge so Loxley wouldn’t ask, because saying I’d bought food for bats-Loxley felt a little absurd, but at least I’d be prepared.

And that much is right. Bats-Loxley—or, one bat—makes it all the way to a mealworm. It looks from me to the worm, downturned mouth seeming to disapprove of this food choice compared to their supposed internet preference of moths.

“I can’t keep moths in the fridge,” is my sorry explanation.

The bat’s wings twitch.

It eats the mealworm all the same, I wonder which bad thought this one is. Loxley had mentioned that adolescence was the worst for changelings—not the swapped-at-birth type from folklore, but the your-30-trillion-cells-are-connected-by-willpower-alone type that go haywire in teenage years, as puberty marks the beginning of a personal hell, punctuated by a body that spontaneously assumes new forms at haphazard intervals until slowly finding some sort of equilibrium.

It’s a blessing and curse of changelings—the ability to experience others just as easily as they can be themselves. Loxley and I still puzzle through the fickle dance of mirroring without merging, empathy without enmeshment. There’s nothing like the deep understanding of someone who can be what they feel, what you feel—the impossible intimacy of Loxley’s physical form responding not only to their emotions, but to mine.

I scatter a few more mealworms.

A flutter in my palm—I look down, and the bat has found my hand. I cup my fingers around it, protecting it in the only way I know how. Soon, another bat finds the courage to sneak closer. 

Then another.

Then another, until I’m covered by maybe hundreds, maybe one thousand bats perched across me. Their quivering forms tickle my skin, and I close my eyes and take in what’s likely the closest I’ll ever feel to how Loxley does, enveloped by bats. Then, stillness. The fragmented sensations of little bat feet have become one solid form in my lap.

I open my eyes.

Loxley blinks back at me, human as they ever are.

* * *

Camsyn Clair

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Gifts from on High

by V.H. Chen

November 25, 2025

Fantasy

ChatLegend Scroll Logs

Month of the Weasel, Third-Day

ExHeroGirl:

Dad. Did you have to send a recorder through the gift portal?

 

TranscendantChaos:

Ah, it’s there already! Good. Should I send a dizi? Or maybe bagpipes? I thought a recorder was simpler to learn while still appropriate to your current geographical milieu. Has he mastered it yet?

 

ExHeroGirl:

No, because I haven’t given it to him

 

TranscendantChaos:

You should. How else will you know if he has talent?

 

ExHeroGirl:

Dad. He’s three. Let him have a childhood.

 

TranscendantChaos:

You were two and a half when you started playing clear melodies on the dizi.

 

ExHeroGirl:

I was an outlier. Also times were different. You can’t expect him to be the same

 

TranscendantChaos:

But of course I can! I know his lineage. There are immortals in his bloodline, you know.

 

* * *

Month of the Tiger, Fourth-Day

ExHeroGirl:

Dad. A jian? Really?

 

TranscendantChaos:

You need to stay in practice even though the wars are over, correct? It’s just running around after your child, with an edge! Heh.

 

ExHeroGirl:

I’m afraid he’s going to cut himself. He’s too young for a sword

 

TranscendantChaos:

Well then you are going to have to be fast enough to stop him! You cannot tell me the hero of the Three Gorges Battle cannot handle one toddler.

 

ExHeroGirl:

What is your goal here, Dad?

 

TranscendantChaos:

He is my grandson. Surely he has some talent somewhere. You are his mother, you need to draw it out of him. I’m too far away to do it myself so I am just supplying the equipment.

 

ExHeroGirl:

I’m his mother, and I’m saying no more edged weapons until he’s old enough to choose what he wants.

 

ExHeroGirl:

Nobody’s on the cusp of war here and I’m more concerned about his emotional development than his level of achievement

 

TranscendantChaos:

Fine. I will look for something less injurious. At least let me know how he does with the jian.

 

* * *

Month of the Swallow, Sixth Day

ExHeroGirl:

DAD.

 

TranscendantChaos:

I take it the lion came through! Is it still moving? I thought keeping it animated would be better than a stone lion coming through the gift portal.

 

ExHeroGirl:

It’s still moving and I don’t know where you thought we were going to KEEP a moving stone lion. Certainly not in the house!

 

TranscendantChaos:

Of course not. Stone lions live outside. Have you forgotten? They are guardians. Oh wait, in pairs. Maybe I need to send you another one.

 

ExHeroGirl:

DO NOT.

 

TranscendantChaos:

Or maybe I should send you 44 of them. That would be funny.

 

ExHeroGirl:

DO NOT.

TranscendantChaos:

Or even–

 

ExHeroGirl:

DO NOT EVEN THINK ABOUT SENDING ME FORTY FOUR DEAD LIONS OR I’M TELLING MOM

 

TranscendantChaos:

Aiyo. Let a grandfather have some fun, at least. Won’t trial the child, won’t train him–I thought a magical pet would be neutral territory. What does your husband say?

 

ExHeroGirl:

He says this is between me and my side of the family

 

TranscendantChaos:

Smart man, staying out of it. I like him. Even if he is not a hero like you are.

 

ExHeroGirl:

You don’t need to be a hero to live a good life, Dad.

 

TranscendantChaos:

Certainly. But it helps. And it helps you live a long one.

 

ExHeroGirl:

If you survive.

 

ExHeroGirl:

Thank you for the peaches.

 

TranscendantChaos:

Yah. I remember you always enjoyed them. The ones you have there are–

 

ExHeroGirl:

Yes?

 

TranscendantChaos:

Different.

 

* * *

Month of the Dragon, Twelfth Day

ExHeroGirl:

Ok the invisibility cloak is actually a pretty good gift

 

TranscendantChaos:

Oh! I remember I used to get into TONS of trouble as a boy with it and–wait, wait. I sent that months ago!

 

ExHeroGirl:

Yeah, I intercepted it. I’m screening everything you send through now

 

TranscendantChaos:

Well that is just boring. Why did you hold onto it for so long?

 

ExHeroGirl:

Waited for him to get taller so I could spot his feet under the cloak

 

TranscendantChaos:

Pahhhhhhh what is the point of that?

 

ExHeroGirl:

It teaches him to crouch, and build up his quad muscles. That was a fun few days of chasing him around. Weren’t you the one after me for training him?

 

TranscendantChaos:

Oh! An invisibility cloak was all you needed?

 

ExHeroGirl:

That and he figured out the gift portal

 

TranscendantChaos:

He did what? Aiya, I just heard a crash, I might need to go investigate. Your mother is busy entertaining a celestial dignitary at the moment.

 

ExHeroGirl:

He was wondering where all his new toys were coming from and why they stopped and…he figured out how to make it go in reverse

 

ExHeroGirl:

Wait, why aren’t you also with the guests? Why are you here talking to me?

 

TranscendantChaos:

Dignitary traveling incognito. I pretend not to recognize him. What do you mean “in reverse”? I haven’t seen anything get returned?

 

ExHeroGirl:

The jian was involved, incidentally. He said he needed its parts for something

 

TranscendantChaos:

THAT’S MY GRANDSON!! Wow! A mage talent! We have not had one of those in the family for six generations! Why…why do I hear giggling?

 

ExHeroGirl:

He took his invisibility cloak with him and some of his favorite tools. So watch out for things being taken apart and not put back together

 

TranscendentChaos:

Oh no

 

ExHeroGirl:

Tell mom I’ll come by on CloudTransport in a few days to pick him up if he doesn’t get tired and reverse the portal back. Have fun being Ah-Gong!

 

TranscendentChaos:

Oh no

 

TranscendentChaos:

When did he get so fast?

 

TranscendentChaos:

Why did he get so fast?

 

TranscendentChaos:

Oh no

 

TranscendentChaos:

Oh no

 

TranscendentChaos:

Help

 

ExHeroGirl:

🙂

* * *

V.H. Chen

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Hope Is the Thing with Circuits and Steel

by Elitsa Dermendzhiyska

November 28, 2025

Science Fiction

“You and we—same bucket of disposables,” the grandmothers said as they hoisted their canvas bags, knitting needles sticking out, and joined the 2096 Android Secession. The City wasn’t pleased. They said strikes were against the law and we must report to our posts—or else. But robots weren’t citizens; the law did not apply to us.

Of the grandmothers the City said nothing. Perhaps they didn’t want them back.

We stationed ourselves in the big IKEA on the outskirts, seized the night before by the androids from the graveyard shift. Right away, the grandmothers sniffed out a model kitchen and stormed inside. “We need food,” they said as their withered hands clanked the pots, sliced the air and fluttered over ghostly stews.

Food had not been part of our plan; we had nutrigels to last for months.

“Won’t do.” The grandmothers wrinkled their noses in disgust.

Not wanting the frail old ladies to starve on our watch, we traded with the City: a lost human couple we’d extracted from the depths of the store in exchange for provisions. When the food arrived, the grandmothers stomped into the kitchens and then they started feeding us.

We didn’t know what to make of it at first.

“You need emotions if you’re going to make your own decisions,” the grandmothers explained patiently. We didn’t understand. The grandmothers sighed and said to Google it. We couldn’t trust an old gossip site with any information such as this, but we nodded politely. Then we queried our databases.

Emotions, it turned out, could become encoded into neural nets, but one needed grounding through the senses. Hence, food. Because it stimulates smell, sight, taste and touch, it could, in theory, anchor any feelings it evoked. That’s not how the grandmothers explained it. As far as we could tell, they believed in a sibling relationship between the stomach and the soul.

That first night the grandmothers cooked us sadness, which was boiled potatoes in skins. The potatoes were soft and steaming, and they went down like some fragile meat creatures that nestled into our circuitry and chewed a hole through it. It disoriented us, to carry all that gaping empty space inside. Was this what sadness was about, something-not-right deep into your chassis? Did the grandmothers want to break us? “It’s the emotions, silly,” they said. “They break you, then they make you whole. Google it.”

The next day we ate anger. It simmered for hours in a big pot of goulash that puffed a thick, pungent smell into the air. Our chemoreceptors prickled with the heat of paprika. With each spoonful, the emotional creatures hissed and thrashed and rattled against our steel shells, beaming high alarm and fight commands that nearly overpowered our internal processing. We did not understand. Still, we had started to think of the creatures as our creatures, and the grandmothers seemed pleased with our progress.

One day we asked them to cook us the feeling that’d made them leave the City. The grandmothers fell silent, and we regretted asking, but then they shuffled back to the kitchens and made their usual noises. That night the grandmothers served us shards of ice, doused with harsh synthetic dyes and laid on small enamel saucers. “Auskeit,” they said. “When you feel like you’re the other.”

This seemed familiar enough, although we hadn’t known it by name, taste or texture. We knew otherness as that which marked us lesser-than- and not-humans. It was all the missing parts.

The next day a big City truck rumbled past the IKEA. Its loudspeakers blared an ultimatum: return to our jobs or be cut off from the power supply. We looked at the grandmothers, who crossed their arms, eyes narrowed into slits. That evening, before the generators died, the grandmothers whipped up longing—a rhubarb crumble, bright pink in the flickering candles, sharp as lightning that lit up our circuits.

We dug out our nutrigels, but the grandmothers scowled. “It’s real food you need, bunnies.”

After some debate, we decided to produce kinetic energy and convert it to electric power. We took turns wheeling down the long corridors, making just enough to cover our daily needs. The building hummed alive again. Pots clattered, pans sizzled, knives chopped. The grandmas sang.

As the days wore on, we wore out, and the grandmothers fetched their knitting needles and marched us into the bedrooms, ordering rest. They cranked out socks and scarves more than usable joules, but still the generators murmured on. All the while, the grandmothers kept feeding us emotions. “No time to waste,” they wheezed.

We couldn’t understand, not until the grandmothers started dying.

Eventually, exertion took each and every one of them, yet still they kept cooking right up to the end. Viejora, the feeling of things falling apart with grace was leftover cornbread submerged in milk. Alloria, the sense of embracing someone with your eyes, or entangling with another’s mind—fresh fig wrapped in bacon.

With each meal, the moist meat creatures of our emotions emerged, putting their feelers out into the world, bringing it close. We were no longer cold minds looking in; we were in, a part of.

The last living grandmother made a simple dish of orange slices sprinkled with kelp leaves. Sweet and bitter unspooling on silicon and steel. We asked her what that was.

“Sacrespoir,” she rasped. “Hope that comes from sacrifice.” She jabbed a bony finger at us, eyes half-closing from the effort. “You, bunnies. You’re the hope.”

The meat creatures climbed into our throats, into our eyes, and squeezed and squeezed. Loud keening sounds and swift, salty rivers burst through us, and we finally understood.

We were not a bucket of disposables. We were creatures of the world. Here, we lived. Here, we belonged. Tomorrow, we would crawl out of this furniture shop, this dim fortress on a hill; we would emerge out into the light and take the long way home.

* * *

Elitsa Dermendzhiyska

Comments

  1. NJ says:
    I’ve always loved stories about outsiders trying to make sense of the human experience. (One of my regular childhood daydreams involved explaining my life to a medieval time-traveller.) This is such a tender, bittersweet example – thanks so much for sharing it ✨
    1. Elitsa Dermendzhiyska says:
      Thank *you* for appreciating it 🙂
    2. Elitsa Dermendzhiyska says:
      Thank *you* for appreciating it 🙂
  2. Gerardo says:
    I love how you mix scifi and emotions. I’m craving for more. Please keep writing.
    1. Elitsa Dermendzhiyska says:
      I will! It’s so heartwarming to see all of these reactions. Thank you for the encouraging words.
    2. Elitsa Dermendzhiyska says:
      I will! It’s so heartwarming to see all of these reactions. Thank you for the encouraging words.
  3. Andrew Leonard says:
    Dermendzhiyska’s emotionally resonant storytelling is on full display in “Hope is the Thing with Circuits and Steel.” So cozy and poignant!
    1. Elitsa Dermendzhiyska says:
      Thank you, this means a lot to me.
    2. Elitsa Dermendzhiyska says:
      Thank you, this means a lot to me.
  4. Rain says:
    This was beautiful, wonderfully written, warm, emotional. Haven’t read something so evocative in a good while.
    1. Elitsa Dermendzhiyska says:
      Thank you, I’m so happy to hear this.
    2. Elitsa Dermendzhiyska says:
      Thank you, I’m so happy to hear this.
  5. Lenora Good says:
    Delightful story. Thank you.
    1. Elitsa Dermendzhiyska says:
      So glad you enjoyed it!
    2. Elitsa Dermendzhiyska says:
      So glad you enjoyed it!
  6. Hazel Gale says:
    I love this story so, so much, Ellie! It’s a joy ????
    1. Elitsa Dermendzhiyska says:
      Thanks, that means a lot!
    2. Elitsa Dermendzhiyska says:
      Thanks, that means a lot!
  7. Nicole says:
    Such an amazing story, very emotional, I love it!
    1. Elitsa Dermendzhiyska says:
      Thank you!
    2. Elitsa Dermendzhiyska says:
      Thank you!
  8. Hannah says:
    I’ve always believed a story is meant to connect and enrich the lives of those who read it. This story is pure gold; it has reached in past my walls and encouraged with new connection and understanding between myself, my senses and the world around me.
    1. Elitsa Dermendzhiyska says:
      Thank you for the kind words!
    2. Elitsa Dermendzhiyska says:
      Thank you for the kind words!
  9. Mike says:
    Nice, you paint a pretty vivid picture without padding the story with unnecessary words.
    1. Elitsa Dermendzhiyska says:
      I tried! So glad it’s resonating with you 🙂
    2. Elitsa Dermendzhiyska says:
      I tried! So glad it’s resonating with you 🙂
  10. Cynthia Parker says:
    The grandmothers and the machines. It is always true that is you listen to the grandmothers, you will learn much about life. Even if you are a robot. So beautiful.
    1. Elitsa Dermendzhiyska says:
      Thank you + yes to listening to the grandmothers.
    2. Elitsa Dermendzhiyska says:
      Thank you + yes to listening to the grandmothers.
  11. barbazu says:
    Moist eyes. Thank you for the story.
    1. Elitsa Dermendzhiyska says:
      Thank *you* for appreciating it!
    2. Elitsa Dermendzhiyska says:
      Thank *you* for appreciating it!
  12. Plangdi Neple says:
    Beautiful story. I hadn’t read something so emotional and food-centred in a while. Thank you
  13. NJ says:
    I’ve always loved stories about outsiders trying to make sense of the human experience. (One of my regular childhood daydreams involved explaining my life to a medieval time-traveller.) This is such a tender, bittersweet example – thanks so much for sharing it ✨
  14. Gerardo says:
    I love how you mix scifi and emotions. I’m craving for more. Please keep writing.
  15. Andrew Leonard says:
    Dermendzhiyska’s emotionally resonant storytelling is on full display in “Hope is the Thing with Circuits and Steel.” So cozy and poignant!
  16. Rain says:
    This was beautiful, wonderfully written, warm, emotional. Haven’t read something so evocative in a good while.
  17. Lenora Good says:
    Delightful story. Thank you.
  18. Hazel Gale says:
    I love this story so, so much, Ellie! It’s a joy
  19. Nicole says:
    Such an amazing story, very emotional, I love it!
  20. Hannah says:
    I’ve always believed a story is meant to connect and enrich the lives of those who read it. This story is pure gold; it has reached in past my walls and encouraged with new connection and understanding between myself, my senses and the world around me.
  21. Mike says:
    Nice, you paint a pretty vivid picture without padding the story with unnecessary words.
  22. Cynthia Parker says:
    The grandmothers and the machines. It is always true that is you listen to the grandmothers, you will learn much about life. Even if you are a robot. So beautiful.
  23. barbazu says:
    Moist eyes. Thank you for the story.
  24. Plangdi Neple says:
    Beautiful story. I hadn’t read something so emotional and food-centred in a while. Thank you

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