Issue 153 June 2026

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Editorial: Awaiting the Reckoning

by Rebecca Halsey

June 1, 2026

Editorial

A wasp made a nest outside my bedroom window. I imagine the architect as sleek and svelte, her carapace like a slinky gown. I can only think to describe her eyes as “a bulging squint.” She kept her home small, but to me, it remains ominous hanging in the corner of the sash.

I can’t decide if it’s a threat or a protective talisman.

I’ve gone so far as to open the window a few times while making my bed—a habit of mine most mornings at this time of the year. Nothing comes of it. No wasp emerges. I keep wiggling at the nest, and I think, maybe today is the day I learn my lesson.

Go ahead, I will the universe, drop the other shoe. After all, that’s what we’ve all been saying these days. The other shoe—I’ve been missing it, I’m sure. I thought I packed it with the rest back in 2021 when we moved houses thinking further into the country would give us room to breathe.

Yet, I still long for a change in the air.

The coming change of seasons isn’t enough. I need an angry, buzzing guardian of the Earth to usher us all into a new era when accounts are tallied and consequences are handed out. So, I keep shaking the nest, opening my window to trouble.

Clearly, I’m ready to do drastic things as I continue to await the reckoning.

In this month’s issue, what-we-hath-wrought is readily apparent in the ecofiction, “An Obituary of Birdsong” by Tehnuka, and in the political sentiment of Annie ZH Sun’s “The Right Hand of Justice.” Both of these will be released on our website in the run-up to the launch of our resistance-themed anthology mid-June.

We’ve also gathered stories of personal reckoning like “For the Birds” by Sarah Gane Burton, in which the main character must make peace with aging.

We even have some echoes of the “regret” theme we explored in January. For example, our opener “FLEKKE” by Joshua Jones Lofflin takes a look at how infidelity shapes the main character’s life.

But, as in Christine Hanolsy’s story, “Festival,” we wanted to go beyond regrets to promises and wishes.

Last week, when I opened my window, a wasp did come in. To my surprise, she wasn’t angry. She didn’t fly at my face or even zip about frantically. She seemed curious. She practically danced along the sill, then landed on my curtains, rubbing her bony paws as if appreciating their satiny texture.

A protective talisman, I think.

I caught her in the cave of my shoe and sent her away to terrorize those that deserve it.

* * *

Rebecca Halsey

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FLEKKE

Literary

I used to go on dates at big box stores back when I was married. Targets mostly, sometimes Best Buy, once the Home Depot when I needed to pick up a new flusher for a toilet that wouldn’t stop running. I was always running to Home Depot those days—it was always the toilet or installing child-proof outlets or picking up this-or-that paint sample for my wife to disapprove of—but I only had the one date there. It was with a Jen or a Kat or a Cass, something short and sharp on the tongue but otherwise unmemorable. I do remember she drove a Honda Odyssey, and I thought she might want to use it, but there were booster seats in the back and a lingering scent of Uncrustables that she wrinkled her nose at, even after I told her it smelled nice. She preferred my clean, still child-free Suburban with its darkened windows where, from the far edge of the parking lot, we could watch shoppers emerge from the garden center, their flatbed carts loaded with impatiens and sod.

The last date was at the IKEA in the middle of winter. The woman—she went by Rey—said we should try the meatballs. She said they were the best. I told her I’d never had them, that I’d never been to an IKEA before even though my wife and I were there the previous spring to pick up a rug for a nursery we wouldn’t end up needing. This was before we realized we were tired of trying.

Rey cried out, Never? and slapped my chest and told me to get out. It wasn’t a light slap. She left a red palm print across my ribs like a stain.

Rey wore a platinum wedding band with a large square stone, much bigger than I could ever offer my wife.  She had equally large hands that were good for grabbing and pulling; it didn’t take us long to finish.

After, Rey said she was serious about the meatballs, and she forbade me from driving away without at least going inside with her. I looked at my watch, tried to tell her I had to get going, but those large hands were tugging again, pulling me out into the wintry daylight of the parking lot, pulling me across the slushy asphalt and through the shushing automated doors and up the escalator to the showroom level. There we drifted slowly through facsimiles of sensibly designed living rooms, through pretend child bedrooms with their stuffies and wooden trainsets, through kitchens and bathrooms and offices with fake computers. Rey pointed out the lamps she liked, the dressers with their unencumbered lines, the shelves that appeared to float against the walls. She leaned into me as we walked, still holding my hand, said her husband would never do this with her. We found an unpronounceable day bed with orange and cream throw pillows the exact color and texture my wife would despise—a dirt trap, she would call it, and not practical at all. We sat.

We didn’t try the meatballs. We didn’t even go to the food court. Whatever hunger I had was replaced by something else. Not fullness, but a gnawing hollow that nestled below my throat. Perhaps Rey felt it also as we watched actual shoppers pass us. Couples, yes, but lots of families also, with kids tugging their parents along or haggard dads with infants strapped to their chests. Occasionally, a thin woman or man around our age would glide through the space and stare at the room’s furnishings. Their eyes would pass across us but never land on us, as if we were a pair of ghosts. Or, maybe we were mislaid accessories to a fake room and nothing more.

At some point our hands separated and we shifted. Rey left first. I knew I should go too, but I stayed on the day bed. I wasn’t sure what I was waiting for. It was ugly. It was a dirt trap. It wasn’t comfortable at all.

* * *

Joshua Jones Lofflin

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An Obituary to Birdsong

by Tehnuka

June 9, 2026

Fantasy

With great sadness, we report the loss of Sangeetha (aged 91), who made the bird calls.

She thought it would only be until spring—just enough to keep the nectar trees in flower and our community thriving until the birds returned. That was sixty-three years ago, and she continued calling every day until her passing.

Those of her generation will recall how the Great Fall began with the wilting of the blueblossom, and how her voice rang out like a ping-throated weeper, causing drooping petals to twitch and closed buds to unfurl. Although the last of the remaining birds had only just departed, we had not heard a ping-throated weeper since our childhoods. We rushed to milk the flowers and ate to brighten our eyes before the nectars could evaporate.

Sangeetha considered this a one-off, a clever trick, her moment of heroism. But the caw of the glossy-winged snake-eater had also vanished from the skies, and as a result, that same season, all the purple moon-daisies dropped from the trees, followed by the moss lilies, and nothing sweet remained to us. She later speculated that if it had been bitterness that we lost first, there would have been no panic. Instead, she would have been married with children by the time we came to her, and perhaps she would have been more willing to sacrifice her remaining future for us.

 Her discontent was justified: it was non-stop labour to walk the forest on behalf of all the birds. When she took a rare sick day, we were all cold, unnourished, and lost. At night, she stayed up late with the harvesters of the tricky giant touch-me-not, calling so that they could gather us warmth for the morning. She rose early to sing in multiple voices for the missing dawn chorus, bringing us light, joy, and much more, and no one resented her occasional grumbles.

In later years, her optimism grew legendary, and as we awaited the return of the birds, she clung to other ambitions for her future: classical music, nectar-hunting, family. For most of her life, she sought an apprentice to assist and take over her work, persisting even though no one could mimic the birds as well as she could. The search became harder as her elders and peers passed on, leaving little knowledge of the calls, or of when and where they should be made.

Sangeetha sadly passed away after a catch in her throat interrupted her triple-beaked pheasant song, preventing the gathering of the medicinal wood-lotus whose nectar she sipped daily for her heart condition.

She is survived by a community who loved her deeply, most of whom have never heard the morning warblers or the night hooters, or any other bird, sing—only her renditions of their voices.

We will call as best we can until all the flowers fall from the trees, and all their nectar fades into air, and we with them.

* * *

Tehnuka

Originally published in If There’s Anyone Left, June 20, 2023. Reprinted here by permission of the author.

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Sad Mecha Girls

by River S

June 23, 2026

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