Issue 153 June 2026

Editor: Rebecca Halsey

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Editorial: Awaiting the Reckoning

By Rebecca Halsey

June 1, 2026

Editorial

A wasp made a nest outside my bedroom window. I imagine the architect as sleek and svelte, her carapace like a slinky gown. I can only think to describe her eyes as “a bulging squint.” She kept her home small, but to me, it remains ominous hanging in the corner of the sash.

I can’t decide if it’s a threat or a protective talisman.

I’ve gone so far as to open the window a few times while making my bed—a habit of mine most mornings at this time of the year. Nothing comes of it. No wasp emerges. I keep wiggling at the nest, and I think, maybe today is the day I learn my lesson.

Go ahead, I will the universe, drop the other shoe. After all, that’s what we’ve all been saying these days. The other shoe—I’ve been missing it, I’m sure. I thought I packed it with the rest back in 2021 when we moved houses thinking further into the country would give us room to breathe.

Yet, I still long for a change in the air.

The coming change of seasons isn’t enough. I need an angry, buzzing guardian of the Earth to usher us all into a new era when accounts are tallied and consequences are handed out. So, I keep shaking the nest, opening my window to trouble.

Clearly, I’m ready to do drastic things as I continue to await the reckoning.

In this month’s issue, what-we-hath-wrought is readily apparent in the ecofiction, “An Obituary of Birdsong” by Tehnuka, and in the political sentiment of Annie ZH Sun’s “The Right Hand of Justice.” Both of these will be released on our website in the run-up to the launch of our resistance-themed anthology mid-June.

We’ve also gathered stories of personal reckoning like “For the Birds” by Sarah Gane Burton, in which the main character must make peace with aging.

We even have some echoes of the “regret” theme we explored in January. For example, our opener “FLEKKE” by Joshua Jones Lofflin takes a look at how infidelity shapes the main character’s life.

But, as in Christine Hanolsy’s story, “Festival,” we wanted to go beyond regrets to promises and wishes.

Last week, when I opened my window, a wasp did come in. To my surprise, she wasn’t angry. She didn’t fly at my face or even zip about frantically. She seemed curious. She practically danced along the sill, then landed on my curtains, rubbing her bony paws as if appreciating their satiny texture.

A protective talisman, I think.

I caught her in the cave of my shoe and sent her away to terrorize those that deserve it.

* * *

Rebecca Halsey

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FLEKKE

By Joshua Jones Lofflin

June 5, 2026

Literary

I used to go on dates at big box stores back when I was married. Targets mostly, sometimes Best Buy, once the Home Depot when I needed to pick up a new flusher for a toilet that wouldn’t stop running. I was always running to Home Depot those days—it was always the toilet or installing child-proof outlets or picking up this-or-that paint sample for my wife to disapprove of—but I only had the one date there. It was with a Jen or a Kat or a Cass, something short and sharp on the tongue but otherwise unmemorable. I do remember she drove a Honda Odyssey, and I thought she might want to use it, but there were booster seats in the back and a lingering scent of Uncrustables that she wrinkled her nose at, even after I told her it smelled nice. She preferred my clean, still child-free Suburban with its darkened windows where, from the far edge of the parking lot, we could watch shoppers emerge from the garden center, their flatbed carts loaded with impatiens and sod.

The last date was at the IKEA in the middle of winter. The woman—she went by Rey—said we should try the meatballs. She said they were the best. I told her I’d never had them, that I’d never been to an IKEA before even though my wife and I were there the previous spring to pick up a rug for a nursery we wouldn’t end up needing. This was before we realized we were tired of trying.

Rey cried out, Never? and slapped my chest and told me to get out. It wasn’t a light slap. She left a red palm print across my ribs like a stain.

Rey wore a platinum wedding band with a large square stone, much bigger than I could ever offer my wife.  She had equally large hands that were good for grabbing and pulling; it didn’t take us long to finish.

After, Rey said she was serious about the meatballs, and she forbade me from driving away without at least going inside with her. I looked at my watch, tried to tell her I had to get going, but those large hands were tugging again, pulling me out into the wintry daylight of the parking lot, pulling me across the slushy asphalt and through the shushing automated doors and up the escalator to the showroom level. There we drifted slowly through facsimiles of sensibly designed living rooms, through pretend child bedrooms with their stuffies and wooden trainsets, through kitchens and bathrooms and offices with fake computers. Rey pointed out the lamps she liked, the dressers with their unencumbered lines, the shelves that appeared to float against the walls. She leaned into me as we walked, still holding my hand, said her husband would never do this with her. We found an unpronounceable day bed with orange and cream throw pillows the exact color and texture my wife would despise—a dirt trap, she would call it, and not practical at all. We sat.

We didn’t try the meatballs. We didn’t even go to the food court. Whatever hunger I had was replaced by something else. Not fullness, but a gnawing hollow that nestled below my throat. Perhaps Rey felt it also as we watched actual shoppers pass us. Couples, yes, but lots of families also, with kids tugging their parents along or haggard dads with infants strapped to their chests. Occasionally, a thin woman or man around our age would glide through the space and stare at the room’s furnishings. Their eyes would pass across us but never land on us, as if we were a pair of ghosts. Or, maybe we were mislaid accessories to a fake room and nothing more.

At some point our hands separated and we shifted. Rey left first. I knew I should go too, but I stayed on the day bed. I wasn’t sure what I was waiting for. It was ugly. It was a dirt trap. It wasn’t comfortable at all.

* * *

Joshua Jones Lofflin

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An Obituary to Birdsong

By Tehnuka

June 9, 2026

Fantasy

With great sadness, we report the loss of Sangeetha (aged 91), who made the bird calls.

She thought it would only be until spring—just enough to keep the nectar trees in flower and our community thriving until the birds returned. That was sixty-three years ago, and she continued calling every day until her passing.

Those of her generation will recall how the Great Fall began with the wilting of the blueblossom, and how her voice rang out like a ping-throated weeper, causing drooping petals to twitch and closed buds to unfurl. Although the last of the remaining birds had only just departed, we had not heard a ping-throated weeper since our childhoods. We rushed to milk the flowers and ate to brighten our eyes before the nectars could evaporate.

Sangeetha considered this a one-off, a clever trick, her moment of heroism. But the caw of the glossy-winged snake-eater had also vanished from the skies, and as a result, that same season, all the purple moon-daisies dropped from the trees, followed by the moss lilies, and nothing sweet remained to us. She later speculated that if it had been bitterness that we lost first, there would have been no panic. Instead, she would have been married with children by the time we came to her, and perhaps she would have been more willing to sacrifice her remaining future for us.

 Her discontent was justified: it was non-stop labour to walk the forest on behalf of all the birds. When she took a rare sick day, we were all cold, unnourished, and lost. At night, she stayed up late with the harvesters of the tricky giant touch-me-not, calling so that they could gather us warmth for the morning. She rose early to sing in multiple voices for the missing dawn chorus, bringing us light, joy, and much more, and no one resented her occasional grumbles.

In later years, her optimism grew legendary, and as we awaited the return of the birds, she clung to other ambitions for her future: classical music, nectar-hunting, family. For most of her life, she sought an apprentice to assist and take over her work, persisting even though no one could mimic the birds as well as she could. The search became harder as her elders and peers passed on, leaving little knowledge of the calls, or of when and where they should be made.

Sangeetha sadly passed away after a catch in her throat interrupted her triple-beaked pheasant song, preventing the gathering of the medicinal wood-lotus whose nectar she sipped daily for her heart condition.

She is survived by a community who loved her deeply, most of whom have never heard the morning warblers or the night hooters, or any other bird, sing—only her renditions of their voices.

We will call as best we can until all the flowers fall from the trees, and all their nectar fades into air, and we with them.

* * *

Tehnuka

Originally published in If There’s Anyone Left, June 20, 2023. Reprinted here by permission of the author.

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The Right Hand of Justice

By Annie ZH Sun

June 12, 2026

Fantasy

The queue outside immigration is longer than I expected. In the hours I waited, the security detained five legs for disruption, a larynx for not speaking English, and a stomach for vomiting out Thai food. But that doesn’t deter me. I’m fully equipped, my nails polished to elegance, my pen filled with bright blue ink, my documents ordered to perfection.

By the time the officer signals me forward, I settle myself onto the table and begin, my handwriting neat and cursive. Good afternoon, officer.

The full-bodied woman shakes her head. “I’m sorry. You don’t have clearance.”

I point to my birth certificate, the yellowing invitation letter, then pick up my pen and put down what I’ve practised for days onto paper. I am not illegal.  I have never committed any crimes. I was born on the border—

“Born, severed or forgotten, it doesn’t matter.”

You don’t understand. We came into the country with an invitation letter. There’s been a mistake. I’m just as wanted!

“Our Nation determines whether you are wanted. Frankly, from the most recent system updates, you can move to the back of the line.”

This is against human rights!

It is then, she breaks out the tape measure, matching centimetres to my profile. “You are 0.83 percent human. You have no rights.”

It takes all I have not to attack her.  Instead, I persuade with both logic and emotion. I’m someone’s right hand. The rest of me is graduating from the top Law School of your great country. I’m a valuable asset, too, with my cooking, calligraphy and ErHu skills. Just think about my contributions to cultural diversity, the economy, the—

“Hold up. Top law school you say?” The woman scans the system in front of her.

Yes, yes! The best one. They were interviewed on radio for the South River project! Making a name, winning the hardest battles, beating all odds—

Gently, she picks up the pen from my fingers, and as her right hand scribbles away, I feel my blood vessels beating all the way to my wrist stump, until I almost taste the sweet reunion with the rest of my body. She pushes the paper towards me and in tiny letters, the message reads: Make them change the law.

I lose it. My fingers turn into scythes, my nails scream-sharp, but they barely graze her and the security guards come at me, all full-grown humans with intact bodies. They’re dragging me past the onlooking organs, past the rows of barrier lines that’s taken me so many sleepless nights of queueing to secure a meeting, and I’m thrown right through the glass door, squashed amongst other ghostlike body parts in a ten-by-ten detention room, where I am instructed to calm down.

I pace, I roam, a phantom amongst the ever-growing number that stack up in the centre every day. There are hands here, smelling like curry or chilli or fabric dye, and crooked fingers that can tie mohair or braid wool. There are baby tongues that will never grow. And feet, lost, tracing paths that have long been gone, circling for a way but neither side is home.

I try, anyway. I poke into someone’s once stomach, endure acid and hunger pangs for chives and eggs pie, and hold, until layers of my skin peel away. Blood wells out of my index finger. Suppressing pain, I leap as high as I can go. Scarlet letters drip down the glass wall: Send me back to my country!

The guards outside see, laugh, and ask, “Which one?”

Their question has me trapped. The moment Immigration had accepted my body, I’d been severed off for knowing how to use chopsticks, play instruments and embroider silk…it’d cause too much disorder moving forward. But those skills weren’t nearly enough to guarantee survival if I headed back alone. Now, I am a creature unwelcomed by the new country and a stranger to the old.

 The guards laugh harder. I bang against the glass, bang for them to stop, bang until all my rage dissipates into nothing but crimson prints against smeared glass. Finally, I slink down to the floor.

Tomorrow, I promise myself. I will try again. I will pick up trash, and work in kitchens, and do all the most demeaning jobs to find a way back into the queue. I will get out of this hell.

But even as I repeat this, the glass door opens, and the same officer woman is back, only it is the afternoon, and she is working a different job. In her hand, she holds paperwork, offering a different way to get into the country. Circus performers, donors, high-shelved products…the opportunities are endless. Those who are new, old, and desperate fall for it. I think about giving in. Is it really so bad to be regarded as exotic and exciting? To braid hairs falling on pretty necks in malls, and sew endless Hanfu gowns for Carnival costumes, or become attached to someone else’s body?

I am a commodity, undesirable for everyday life but necessary for entertainment. Even if I were reunited with my body, we’d be too different. We’d never fit in. Isn’t that why they’ve allowed the severing to happen in the first place? Would they really want me back now?

I touch the frayed edges of the long-expired invitation letter, and try to accept reality, but when the officer crouches down by my corner, I cannot help whispering, “You want my food, my instruments, my culture, but you don’t want all of me.”

 The officer pushes the negotiation form towards me. “There’s a noodle place looking for help. Right next to the best law school.”

I spring up, fingers trembling.

She holds out a pen with the right hand and flattens the paper onto the floor with her left one. Except where her left hand should be is an old stump. Eyes burning and mouth soft, she whispers, “Make them change the law.”

* * *

Annie ZH Sun

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Festival

By Christine Hanolsy

June 19, 2026

Science Fiction

The shore is packed with people: young, old, native-born and off-planet transplants, human and non. The din is overwhelming. Even so, I stand in a small oasis of stillness, imposed by my nearly-invisible security personnel or possibly by my own Name. My Family is respected, here.

It was not originally a custom on Vinde, the Festival of Lanterns. I had brought it with me from Loess, and the locals embraced it fully and wholeheartedly. The Vindeans are sailors. These rituals bring them comfort. Three days to mark the solstice; three days to lighten one’s heart. A slip of paper, a handful of words, a lantern to carry them up and away: regrets, promises, wishes.

The first night of Festival is for regrets, that we might start the year fresh. When I was small, we stayed in on the first night. Regrets should never be public, my mother used to say, and so we marked the evening in our little house with wine and bread and stories of what might have been. We wrote out our sorrows, our apologies, and let them go.

I keep the same custom here. The sky had been overcast two nights ago, but nevertheless we had climbed up to the rooftop garden with our lanterns and buried our regrets in the clouds.

The second night is for promises and pledges. Marriage contracts are brokered and signed on this day, vows renewed, treaties signed. We write names and dates, sometimes filling entire translucent sheets with the details, weighing our lanterns down until they hang low over the waves.

My own marriage had been contracted elsewhere, of course, but yesterday we had celebrated the second night of Festival with dancing and speeches, and later, more privately, with gifts and carefully delivered compliments.

And only in the deepest well of night, when my husband was fast asleep, had I let my mind drift, lamp-like, to the time and a place where one double-edged line of poetry had been tempered by the heat of desire.

I

promise

if you stay

I will make you

cry

It was the only promise she had ever made to me, knowing it was the only one she would never break.

A camdrone whirs overhead. The Festival would be all over the newsvids, of course. This is the third night, the most raucous, the most joyful, when all of Tokovina spills out onto the beaches with their lanterns. It is a beautiful sight: hundreds of paper ships spiraling upwards into a sea of stars.

The last lantern, tonight’s lantern, is for wishes. For hopes, for dreams. I could fill a book with my wishes over the years, I think. My wish, for truly I have only ever had one. It is written on into my bones. It is inscribed on my skin, invisible etchings like the memory of a touch. If I close my eyes, I can still taste her name on my tongue.

It is a childish thing, perhaps, to believe regrets could be so easily shed, wishes granted or promises kept.

“Mama, mama!” My daughter, auburn-haired and green-eyed, dances just out of the ocean’s reach. The lantern in her hands is misshapen, the paper balloon splotched with color. Even so, it rises steadily enough when she lets it go.

“Mama, I wished for a boat of my very own,” she confides in a whisper, eyes darting left and right as though she feared to be overheard. “A real boat, not a toy.”

I do not tell her that there is a little skiff waiting for her at the pier. She is no great keeper of secrets, especially where her own dreams are concerned, and her father and I have known for months what our sea-smitten daughter would write.

“What did you wish for, Mama?”

“Ah,” I say, laughing a little. “I cannot tell you that. It is a secret.”

I do not tell her, either, that my little slip of paper is blank, that I could not bring myself to write upon it. That all my little ships have carried no cargo, not since my daughter was born. I cannot afford regrets; I have nothing left to promise. Like an automaton, my arm lifts, my fingers unclench, and I release my lantern into the night, one of the hundreds that race toward the stars, never to reach them.

* * *

Christine Hanolsy

Originally published in Small Wonders, September 2023. Reprinted here by permission of the author.

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Sad Mecha Girls

By River S

June 23, 2026

Science Fiction

suicide, drug use, mental health, therapy, war, child soldiers


You are an exosuit girl.

Exosuit girls are destined to bring peace to the galaxy.

Exosuits are 18 meters tall, humanoid in shape. You catch yourself envying their steel, waifish bodies. Their limbs are long, their frames scarecrow-like. The cockpit lies in the chest, and the “head” is a collection of sensors. It’s a parody of a human; a weapon designed for the depths of space. It is beautiful and pristine and static. It is yours to pilot, yours to protect.

Your co-pilot says, “Ours is the prettiest. I love that it’s blue.”

When you see it, you want to vomit.

 

Between combat, you burn holes in your brain with pills designed to make you a better pilot. You and your co-pilot hold hands and giggle as the pills take effect.

“Wow, it’s so good to know you. You’re the best pilot I know.”

“I don’t even care what happens out there, as long as I have you.”

You grasp onto her shirt as waves of congealed happiness roll through you. Other girls do the same, rolling around in a room littered with beanbags and empty bottles of water. Pill happiness is good for co-pilot bonding optimisation.

 

Days later, in the depths of space, your exosuit pirouettes in rapid spirals. You grab the control console, steering yourself back into position. Aligning the targeting reticule, you observe the enemy—though at these distances, it’s as vague as a star. You pull the trigger, and there’s an eruption of thin, sharp projectiles, like a nail gun in space. Then a delayed explosion: another pinprick of light among many. Your co-pilot lets out a soft, delighted sigh.

 

Between fighting for peace, you and the other exosuit girls are stationed on deep-space O’Neill cylinders. You are light-years from Earth, and in these conditions, exosuit girls can quickly lose track of what they are fighting for. That’s bad for morale, bad for exosuit optimisation. So, the O’Neill cylinders are designed to replicate Earth conditions in as mundane detail as possible. Approximations of suburbia hanging in space.

You sleep with your co-pilot in catalogue suburban homes. You loiter outside 7/11s like you did on Earth, but here they’re self-service, staffed only by mannequin AIs. There are no substantial thoughts in these periods. Between fighting for peace, exosuit girls become robot suits without a pilot: empty vessels, pretty and trademarked. Telephone wires become tight structures of bondage. Power lines mimic the bodies of martyred giants.

 

You have two years of exosuit service left. You started when you were fourteen, and now you are sixteen. You tell your Exosuit Bond Therapist (EBT) that you have some concerns about returning to civilian life. “It is normal to be afraid,” she says. “But you will find a fulfilling life outside the program.”

You know it’s a lie. Exosuit girls have no future, not really.

“Have you considered a career as an EBT?” she asks, maybe detecting your discomfort. You push aside your thoughts.

“Yes,” you lie. “I think that might be a fulfilling path for me.”

Your EBT frowns and writes something on her clipboard. It worries you, the frown. You try to shift the conversation to something else. You mention that the recent pills, the bright green ones. You say they’ve really been helping. You haven’t been dreaming at all, you say.

Your EBT smiles. It’s a strange smile. Slightly laced with threat. The kind you give when a child is trying to lie to you.

 

When you and your co-pilot are launched into space, you feel the gaps between flesh and steel evaporate. You and her are one and the same. Just an exosuit in space, just a bullet in a gun. It is a beautiful thing.

 

In combat, if you find you are racing toward a bad ending, toward the annihilation of peace as a possibility, then there are certain precautions in place. If one appears to be approaching a suicide mission, a last stand, or a doomed final duel, then this is the recommendation. Retrieve the blue pill from your pilot helmet. Place in mouth and swallow. Exosuit girls can swallow pills without water. The blue pill will turn you and your exosuit into a cosmic anchor for love. The Universal Mother will pick you out with her targeting system, and after a few seconds (a moment for her to register your existence in the void of space), she’ll pull the trigger and fire, and waves of combined harmony and beauty will draw toward you, a spiral of ecstatic contentedness with you at the centre. Loving-kindness will overflow into your cockpit and tear your skin like shrapnel.

 

If you are heading toward a good ending, toward peace, then there are other precautions in place. Post-battle, retrieve the white pill from your pilot helmet. Swallow it with water. Retire to your quarters. You will be given two days to purge yourself. Take sips of water between vomiting (sips, not gulps). After 48 hours, urinate on the testing stick. The awards ceremony must be attended in stoic sobriety. Explain to your co-pilot that you cannot stand by the things said during optimisation pill rituals. Tell them you will always treasure your time together. Your season of friendship.

 

Peace has been achieved. Stand in the beige hall and salute.

 

Do not engineer a bad ending. Do not sabotage peace, no matter how tempting.

Bad endings are not for exosuit girls to construct. You are not writing this hour of television. Cosmically, an engineered bad ending will be considered void and will not lead to a valid awakening.

 

Do not make a lover’s pact to swallow the blue pill at the height of victorious battle. Do not entwine your fingers with your co-pilot’s as cosmic rays of loving oneness draw toward you. Do not ballerina spin as you fire gunshots at the space around you, hitting exosuit friend and foe.

Do not say over crackly radio static, “This is all I wanted,” as your exosuit is eviscerated by friendly fire.

* * *

River S

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For the Birds

By Sarah Gane Burton

June 26, 2026

Literary

Sari glared at the box sitting on her dining room table.

The medical alert system was Seb’s idea. She didn’t want a pendant dangling around her neck like a scarlet “A” for Aged. She was 95, still living alone, still driving, still walking without a cane. She did not need a technological babysitter.

But her dizzy spell in February had been diagnosed as a TIA—a “mini-stroke”—and in May she had fallen on the porch. A neighbor just happened to drop by with some strawberries and found her, embarrassed, petulant, and wedged between two Adirondack chairs.

“Ma,” Seb pleaded over the phone, “no more excuses.”

Sari huffed and left the box unopened on the table, glowering at it during her solitary meals.

Finally, Seb came over and set the intercom on her nightstand. He showed her the mobile app on his phone that would notify him if she placed an emergency call. He read aloud from the manual and pressed the pendant until it verified its connection to the home base. Then he hung the pendant around her neck.

“It’s like a noose,” she grumbled.

When she went to bed that first night with the pendant swishing against her nightgown and the gleaming face of the intercom illuminating her nighttime pills, she whispered to herself that getting old was for the birds.

* * *

Sari made a point of making faces at the intercom first thing in the morning.

It became part of the morning ritual that often began at 4:00 a.m. when her restless legs finally urged her out of bed. She sat on the edge of the twin that she’d traded for the queen she and her husband of 69 years had slept in. She fingered the pendant gingerly, and stuck out her tongue in the direction of the machine.

In a long gap between Seb’s visits, Sari moved the intercom from the nightstand to the floor. She threw used tissues at it. She draped dirty clothes over it. Once, in a moment of particular resentment, she contemplated depositing a pair of used nighttime underwear on it, but thought better of it, in case there was a real emergency.

In October, Seb brought her to his house for a long weekend. She tolerated his exaggerated expressions of concern and feigned use of the cane he bought for her. On her way out the door to return home, she tripped on his threshold and twisted her ankle.

After the visit to the ER, the long wait, the x-ray, the pending bill she just knew would wreck her meager savings, and two additional days cooped up in Seb’s guest room, she hobbled into her bedroom, cane dangling uselessly from her arm, and stuck out her bottom teeth at the intercom languishing on the floor. 

She used the pendant for the first time in November, when she locked herself out of the house. An operator named Gilbert answered. The name stuck, and she found herself griping at Gilbert as she pulled the legs of her pajamas over her arthritic knees.

On winter nights when loneliness pressed down and threatened to crack her frail body into a million bone crumbs, she stroked the pendant and thought about pushing the button just to hear the sound of another voice.

In January, a friend asked for advice about getting a medical alert system. Sari gave them a referral code and received a thank-you Olive Garden gift card in the mail. Before she left to use it on mushroom ravioli and a slice of triple-chocolate mousse, she returned the intercom to its spot on her nightstand.

* * *

Sari awoke on a chilly March morning with a tingling down her left arm. She stared at the ceiling and counted the lines of the shiplap panels.

The tingling invaded her hands. She traced the curlicues of the paisley border along the wainscoting.

Drool gathered inelegantly in the left-hand corner of her mouth. With her right hand, she pressed the pendant.

The automated voice told her that it was connecting. The operator addressed her by name and asked if she could verify her address. Sari could not answer.

The operator dispatched EMTs and stayed on the line, speaking soothing words, and all the time Sari was thinking “for the birds, for the birds, for the birds.”

She turned her head slowly to face the intercom and scowled with half her face. Then she began to cry.

* * *

Sarah Gane Burton

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